Bounce To The Beat - Omid 16B Early Morning Mix
- BPM
- 117
- Open Key
- 8m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 13:55
- Released
- 2015
- Album
- Bounce To The Beat (Omid 16B Remixes)
- Genre
- House
- Loudness
- -8.9 dB
- ISRC
- GBDJH1500051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bounce to the Beat - Alaia & Gallo 2k15 Mixoriginal3A · 125
- Bounce to the Beat - Remasteredoriginal3B · 124
- Bounce to the Beat - Steve Lawler Remixremix3B · 128
- Bounce To The Beat - Tee's Freeze Mixoriginal3A · 124
- Bounce to the Beat - Steve Lawler Remix Editremix3A · 128
- Bounce to the Beat - Steve Lawler's 3.1 Elements Remixremix3B · 123
At 117 BPM in B♭ minor (3A), Bounce To The Beat - Omid 16B Early Morning Mix is a mid-tempo house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2015 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 98% of Todd Terry's catalogue
- Energy:
- calmer than 95% of Todd Terry's catalogue
- Brightness:
- darker than 87% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bounce To The Beat - Omid 16B Early Morning Mix in?
Bounce To The Beat - Omid 16B Early Morning Mix by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Bounce To The Beat - Omid 16B Early Morning Mix?
Bounce To The Beat - Omid 16B Early Morning Mix runs at 117 BPM, a mid-tempo track.
What mixes well with Bounce To The Beat - Omid 16B Early Morning Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Bounce To The Beat - Omid 16B Early Morning Mix good for peak time?
With energy 64 out of 100 at 117 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 117 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 110-124 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 117 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 117 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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