Maybe We’re Different and Everything Is Still the Same
30s preview
- Key
- 5A · C minor
- BPM
- 92
- Double-time
- 184
- Open Key
- 10m
- Energy
- 54/100
- Pop
- 26/100
- Length
- 2:38
- Released
- 2021
- Genre
- Progressive House
- Loudness
- -13.2 dB
- Dynamics
- 10.8 dB
- ISRC
- GBEWA2103902
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Maybe We’re Different and Everything Is Still the Same runs 92 BPM in C minor (5A), a slow-groove tempo progressive house record. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 94% of Leaving Laurel's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 91% of Leaving Laurel's catalogue
- Reach:
- better known than 83% of Leaving Laurel's catalogue
- Energy:
- calmer than 77% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Maybe We’re Different and Everything Is Still the Same in?
Maybe We’re Different and Everything Is Still the Same by Leaving Laurel is in C minor, or 5A on the Camelot wheel.
What BPM is Maybe We’re Different and Everything Is Still the Same?
Maybe We’re Different and Everything Is Still the Same runs at 92 BPM, a slow-groove tempo track.
What mixes well with Maybe We’re Different and Everything Is Still the Same?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Maybe We’re Different and Everything Is Still the Same good for peak time?
With energy 54 out of 100 at 92 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 92 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 86-98 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 92 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 92 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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