Symphonia, Part 2 by Eelke Kleijn cover art

Symphonia, Part 2

Eelke Kleijn

Key
4A · F minor
BPM
96
Double-time
192
Open Key
9m
Energy
56/100
Pop
1/100
Length
5:19
Released
2007
Genre
Progressive House
Loudness
-11.4 dB
ISRC
GBHFW0700940

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A slow-groove tempo progressive house cut, Symphonia, Part 2 sits in F minor (4A) at 96 BPM. The feel is balanced in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Slower than 99% of Eelke Kleijn's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
calmer than 81% of Eelke Kleijn's catalogue
Groove:
less groove-driven than 76% of Eelke Kleijn's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy56
Mood41Balanced
Groove63
Acoustic0
Instrumental73
Live11
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Symphonia, Part 2 in?

Symphonia, Part 2 by Eelke Kleijn is in F minor, or 4A on the Camelot wheel.

What BPM is Symphonia, Part 2?

Symphonia, Part 2 runs at 96 BPM, a slow-groove tempo track.

What mixes well with Symphonia, Part 2?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Symphonia, Part 2 good for peak time?

With energy 56 out of 100 at 96 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 96 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 90-102 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 96 — beatmatch without a big tempo pull.

More progressive house

More from Eelke Kleijn

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 96 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.