The Lab by Nihil Young cover art

30s preview

Key
3A · B♭ minor
BPM
100
Double-time
200
Open Key
8m
Energy
57/100
Pop
0/100
Length
4:19
Released
2013
Album
Decay
Genre
Minimal
Loudness
-6.0 dB
Dynamics
9.9 dB
ISRC
ITZ831000731

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 100 BPM in B♭ minor (3A), The Lab is a slow-groove tempo minimal production. The feel is dark and steady. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Slower than 99% of Nihil Young's catalogue.

Reach:
more underground than 99% of Nihil Young's catalogue
Energy:
calmer than 95% of Nihil Young's catalogue
Groove:
less groove-driven than 89% of Nihil Young's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy57
Mood19Dark
Groove61
Acoustic0
Instrumental6
Live12
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is The Lab in?

The Lab by Nihil Young is in B♭ minor, or 3A on the Camelot wheel.

What BPM is The Lab?

The Lab runs at 100 BPM, a slow-groove tempo track.

What mixes well with The Lab?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is The Lab good for peak time?

With energy 57 out of 100 at 100 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 100 — beatmatch without a big tempo pull.

#Track

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#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track