Vierfleck by Dominik Eulberg cover art
Key
8B · C major
BPM
100
Double-time
200
Open Key
1d
Energy
43/100
Pop
22/100
Length
6:12
Released
2019
Genre
Minimal
Loudness
-10.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Vierfleck runs 100 BPM in C major (8B), a slow-groove tempo minimal record. The feel is balanced in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 83% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 83% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy43
Mood43Balanced
Groove64
Acoustic1
Instrumental78
Live10
Speech7
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Vierfleck in?

Vierfleck by Dominik Eulberg is in C major, or 8B on the Camelot wheel.

What BPM is Vierfleck?

Vierfleck runs at 100 BPM, a slow-groove tempo track.

What mixes well with Vierfleck?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Vierfleck good for peak time?

With energy 43 out of 100 at 100 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 100 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 100 — beatmatch without a big tempo pull.

#Track

More minimal

#Track

More from Dominik Eulberg

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track