U Gonna Be Alright
30s preview
- BPM
- 98
- Double-time
- 196
- Open Key
- 8d
- Energy
- 66/100
- Pop
- 0/100
- Length
- 3:26
- Released
- 2005
- Album
- Jamie Jones
- Genre
- Minimal
- Loudness
- -6.6 dB
- Dynamics
- 15.0 dB
- ISRC
- US4HM0500007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- U Gonna Be Alright (Steppers Remix)remix3B · 98
U Gonna Be Alright runs 98 BPM in D♭ major (3B), a slow-groove tempo minimal record. It is vocal-led. The master keeps unusual dynamic range for club music (crest 15 dB). A 2005 production that still circulates in sets. More underground than 99% of Jamie Jones's catalogue. In a set it works best as an opener or closing-set piece.
- Brightness:
- brighter than 96% of Jamie Jones's catalogue
- Tempo:
- slower than 95% of Jamie Jones's catalogue
- Low end:
- more treble-tilted than 89% of Jamie Jones's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is U Gonna Be Alright in?
U Gonna Be Alright by Jamie Jones is in D♭ major, or 3B on the Camelot wheel.
What BPM is U Gonna Be Alright?
U Gonna Be Alright runs at 98 BPM, a slow-groove tempo track.
What mixes well with U Gonna Be Alright?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is U Gonna Be Alright good for peak time?
With energy 66 out of 100 at 98 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 98 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 92-104 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 98 — beatmatch without a big tempo pull.
More minimal
More from Jamie Jones
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 98 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
