Spiritual but Not Religious
30s preview
- Key
- 5A · C minor
- BPM
- 95
- Double-time
- 190
- Open Key
- 10m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 4:07
- Released
- 2017
- Album
- The Arc of Tension
- Genre
- Tech House
- Loudness
- -9.8 dB
- Dynamics
- 19.5 dB
- ISRC
- DEUE11720968
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Spiritual but Not Religious: slow-groove tempo tech house, C minor (5A), 95 BPM. It reads as dark and steady. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 20 dB). A 2017 production that still circulates in sets. More underground than 99% of Oliver Koletzki's catalogue. In a set it works best as an opener or closing-set piece.
- Tempo:
- slower than 98% of Oliver Koletzki's catalogue
- Low end:
- more treble-tilted than 95% of Oliver Koletzki's catalogue
- Energy:
- calmer than 88% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Spiritual but Not Religious in?
Spiritual but Not Religious by Oliver Koletzki is in C minor, or 5A on the Camelot wheel.
What BPM is Spiritual but Not Religious?
Spiritual but Not Religious runs at 95 BPM, a slow-groove tempo track.
What mixes well with Spiritual but Not Religious?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Spiritual but Not Religious good for peak time?
With energy 50 out of 100 at 95 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 95 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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