A Tribe Called Kotori
30s preview
- Key
- 4A · F minor
- BPM
- 95
- Double-time
- 190
- Open Key
- 9m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2017
- Album
- The Arc of Tension
- Genre
- Tech House
- Loudness
- -11.9 dB
- Dynamics
- 13.7 dB
- ISRC
- DEUE11720964
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Tribe Called Kotori - Chris Schwarzwälder Remixremix3B · 105
- A Tribe Called Kotori - Oliver Koletzki's Woodfloor Versionoriginal9B · 112
- A Tribe Called Kotori - Short Editversion4A · 95
A slow-groove tempo tech house cut, A Tribe Called Kotori sits in F minor (4A) at 95 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. More underground than 99% of Oliver Koletzki's catalogue. For programming, treat it as an opener or closing-set piece.
- Tempo:
- slower than 98% of Oliver Koletzki's catalogue
- Low end:
- more treble-tilted than 97% of Oliver Koletzki's catalogue
- Groove:
- less groove-driven than 93% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 43%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is A Tribe Called Kotori in?
A Tribe Called Kotori by Oliver Koletzki is in F minor, or 4A on the Camelot wheel.
What BPM is A Tribe Called Kotori?
A Tribe Called Kotori runs at 95 BPM, a slow-groove tempo track.
What mixes well with A Tribe Called Kotori?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is A Tribe Called Kotori good for peak time?
With energy 50 out of 100 at 95 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 95 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 95 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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