A Tribe Called Kotori - Chris Schwarzwälder Remix
30s preview
- BPM
- 105
- Open Key
- 8d
- Energy
- 58/100
- Pop
- 9/100
- Length
- 6:31
- Released
- 2017
- Album
- The Arc of Tension Remixed I
- Genre
- House
- Loudness
- -10.4 dB
- Dynamics
- 11.1 dB
- ISRC
- DEUD91763434
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- A Tribe Called Kotori - Oliver Koletzki's Woodfloor Versionoriginal9B · 112
- A Tribe Called Kotori - Short Editversion4A · 95
- A Tribe Called Kotorioriginal4A · 95
Against the original (4A at 95 BPM), this version runs 10 BPM faster and moves the key from 4A to 3B.
A Tribe Called Kotori - Chris Schwarzwälder Remix is a mid-tempo house track in D♭ major (3B) at 105 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. Slower than 93% of Oliver Koletzki's catalogue.
- Groove:
- groovier than 89% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is A Tribe Called Kotori - Chris Schwarzwälder Remix in?
A Tribe Called Kotori - Chris Schwarzwälder Remix by Oliver Koletzki is in D♭ major, or 3B on the Camelot wheel.
What BPM is A Tribe Called Kotori - Chris Schwarzwälder Remix?
A Tribe Called Kotori - Chris Schwarzwälder Remix runs at 105 BPM, a mid-tempo track.
What mixes well with A Tribe Called Kotori - Chris Schwarzwälder Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is A Tribe Called Kotori - Chris Schwarzwälder Remix good for peak time?
With energy 58 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 105 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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