Gevoelsplaat
30s preview
- BPM
- 183
- Half-time
- 92
- Open Key
- 3m
- Energy
- 48/100
- Pop
- 0/100
- Length
- 7:09
- Released
- 2010
- Genre
- Progressive House
- Loudness
- -11.2 dB
- Dynamics
- 11.5 dB
- ISRC
- NLHR21000270
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Gevoelsplaat runs 183 BPM in B minor (10A), a progressive house record. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2010 production that still circulates in sets. Faster than 99% of Eelke Kleijn's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 99% of Eelke Kleijn's catalogue
- Reach:
- more underground than 99% of Eelke Kleijn's catalogue
- Energy:
- calmer than 90% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Gevoelsplaat in?
Gevoelsplaat by Eelke Kleijn is in B minor, or 10A on the Camelot wheel.
What BPM is Gevoelsplaat?
Gevoelsplaat runs at 183 BPM.
What mixes well with Gevoelsplaat?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Gevoelsplaat good for peak time?
With energy 48 out of 100 at 183 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 183 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 172-194 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 183 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 183 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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