Lucky Ones - Leaving Laurel Remix
- Key
- 9B · G major
- BPM
- 65
- Double-time
- 130
- Open Key
- 2d
- Energy
- 33/100
- Pop
- 27/100
- Length
- 5:49
- Released
- 2020
- Album
- Lucky Ones (The Remixes: Part 1)
- Genre
- Progressive House
- Loudness
- -13.9 dB
- ISRC
- GBEWA1905711
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive house cut, Lucky Ones - Leaving Laurel Remix sits in G major (9B) at 65 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Slower than 99% of Leaving Laurel's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 94% of Leaving Laurel's catalogue
- Groove:
- less groove-driven than 94% of Leaving Laurel's catalogue
- Reach:
- better known than 85% of Leaving Laurel's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Lucky Ones - Leaving Laurel Remix in?
Lucky Ones - Leaving Laurel Remix by Leaving Laurel is in G major, or 9B on the Camelot wheel.
What BPM is Lucky Ones - Leaving Laurel Remix?
Lucky Ones - Leaving Laurel Remix runs at 65 BPM.
What mixes well with Lucky Ones - Leaving Laurel Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Lucky Ones - Leaving Laurel Remix good for peak time?
With energy 33 out of 100 at 65 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 65 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 61-69 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 65 — beatmatch without a big tempo pull.
More progressive house
More from Leaving Laurel
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 65 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.