Let Me (feat. Natalia Mabaso)
30s preview
- BPM
- 63
- Double-time
- 126
- Open Key
- 5m
- Energy
- 37/100
- Pop
- 14/100
- Length
- 7:26
- Released
- 2020
- Album
- For The Groovists
- Genre
- House
- Loudness
- -14.0 dB
- Dynamics
- 12.8 dB
- ISRC
- ZA56E2002726
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Let Me (feat. Natalia Mabaso) is a house track in D♭ minor (12A) at 63 BPM. The feel is subdued and even. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Slower than 99% of Oscar Mbo's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 99% of Oscar Mbo's catalogue
- Energy:
- calmer than 97% of Oscar Mbo's catalogue
- Low end:
- more bass-heavy than 94% of Oscar Mbo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Let Me (feat. Natalia Mabaso) in?
Let Me (feat. Natalia Mabaso) by Oscar Mbo is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Let Me (feat. Natalia Mabaso)?
Let Me (feat. Natalia Mabaso) runs at 63 BPM.
What mixes well with Let Me (feat. Natalia Mabaso)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Let Me (feat. Natalia Mabaso) good for peak time?
With energy 37 out of 100 at 63 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 63 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 59-67 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 63 — beatmatch without a big tempo pull.
More house
More from Oscar Mbo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 63 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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