Take Peace by Acid Pauli cover art

Take Peace

Acid Pauli

Key
12A · D♭ minor
BPM
61
Double-time
122
Open Key
5m
Energy
37/100
Pop
7/100
Length
7:06
Released
2023
Genre
Minimal
Loudness
-13.2 dB
ISRC
FXQ932300070

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Take Peace is a minimal track in D♭ minor (12A) at 61 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Slower than 99% of Acid Pauli's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
less groove-driven than 99% of Acid Pauli's catalogue
Brightness:
darker than 97% of Acid Pauli's catalogue
Energy:
calmer than 81% of Acid Pauli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy37
Mood4Dark
Groove17
Acoustic81
Instrumental87
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Take Peace in?

Take Peace by Acid Pauli is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Take Peace?

Take Peace runs at 61 BPM.

What mixes well with Take Peace?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Take Peace good for peak time?

With energy 37 out of 100 at 61 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 61 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 57-65 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 61 — beatmatch without a big tempo pull.

#TrackKey·BPM

More minimal

#TrackKey·BPM

More from Acid Pauli

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 61 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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