Time To Change - Original Mix
- BPM
- 122
- Open Key
- 6m
- Energy
- 32/100
- Pop
- 0/100
- Length
- 7:12
- Released
- 2010
- Album
- Time To Change
- Genre
- Deep House
- Loudness
- -12.4 dB
- ISRC
- GBZUG0900052
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Time To Change - Original Mix sits in A♭ minor (1A) at 122 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Calmer than 99% of Pablo Fierro's catalogue.
- Reach:
- more underground than 99% of Pablo Fierro's catalogue
- Groove:
- groovier than 98% of Pablo Fierro's catalogue
- Brightness:
- darker than 87% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Time To Change - Original Mix in?
Time To Change - Original Mix by Pablo Fierro is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Time To Change - Original Mix?
Time To Change - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Time To Change - Original Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Time To Change - Original Mix good for peak time?
With energy 32 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 122 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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