Needed Someone - Nazt & Marraco Remix by Max Chapman cover art

Needed Someone - Nazt & Marraco Remix

Max Chapman

30s preview

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
31/100
Pop
0/100
Length
6:18
Released
2017
Album
Needed Someone EP
Genre
Tech House
Loudness
-13.2 dB
Dynamics
9.1 dB
ISRC
CA5KR1575649

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10A at 123 BPM), this version runs 1 BPM slower and moves the key from 10A to 3B.

Needed Someone - Nazt & Marraco Remix is a club-tempo tech house track in D♭ major (3B) at 122 BPM. Tonally it lands brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Calmer than 99% of Max Chapman's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
more underground than 99% of Max Chapman's catalogue
Low end:
more bass-heavy than 99% of Max Chapman's catalogue
Brightness:
darker than 97% of Max Chapman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy31
Mood21Dark
Groove81
Acoustic12
Instrumental90
Live11
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
51%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
11%
Upper-mid
570 Hz-2.5 kHz
6%
High
2.5-11 kHz

FAQ

What key is Needed Someone - Nazt & Marraco Remix in?

Needed Someone - Nazt & Marraco Remix by Max Chapman is in D♭ major, or 3B on the Camelot wheel.

What BPM is Needed Someone - Nazt & Marraco Remix?

Needed Someone - Nazt & Marraco Remix runs at 122 BPM, a club-tempo track.

What mixes well with Needed Someone - Nazt & Marraco Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Needed Someone - Nazt & Marraco Remix good for peak time?

With energy 31 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

More from Max Chapman

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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