IRST_TE? - Claude VonStroke R U Thirsty? Mix
30s preview
- Key
- 1B · B major
- BPM
- 126
- Open Key
- 6d
- Energy
- 35/100
- Pop
- 0/100
- Length
- 8:40
- Released
- 2011
- Album
- Makeovers
- Genre
- Tech House
- Loudness
- -8.1 dB
- Dynamics
- 10.8 dB
- ISRC
- US75Z1110051
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
IRST_TE? - Claude VonStroke R U Thirsty? Mix is a club-tempo tech house track in B major (1B) at 126 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Claude VonStroke's catalogue.
- Energy:
- calmer than 98% of Claude VonStroke's catalogue
- Groove:
- groovier than 93% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is IRST_TE? - Claude VonStroke R U Thirsty? Mix in?
IRST_TE? - Claude VonStroke R U Thirsty? Mix by Claude VonStroke is in B major, or 1B on the Camelot wheel.
What BPM is IRST_TE? - Claude VonStroke R U Thirsty? Mix?
IRST_TE? - Claude VonStroke R U Thirsty? Mix runs at 126 BPM, a club-tempo track.
What mixes well with IRST_TE? - Claude VonStroke R U Thirsty? Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is IRST_TE? - Claude VonStroke R U Thirsty? Mix good for peak time?
With energy 35 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 126 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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