That's How - Chuck Love Network Rework
- BPM
- 126
- Open Key
- 5m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 6:42
- Released
- 2010
- Album
- That's How | Remixes
- Genre
- House
- Loudness
- -16.1 dB
- ISRC
- US9KZ1001101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- That's How - Original Mixoriginal1B · 127
- That's How - JT Donaldson Remixremix4B · 130
- That's How - Ken ECB's Fun With A Moog Mixoriginal9B · 126
- That's How - Sonny Fodera's Beatdown Mixoriginal9B · 128
Against the original (1B at 127 BPM), this version runs 1 BPM slower and moves the key from 1B to 12A.
That's How - Chuck Love Network Rework runs 126 BPM in D♭ minor (12A), a club-tempo house record. It reads as warm and mellow. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Mark Farina's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 96% of Mark Farina's catalogue
- Brightness:
- brighter than 81% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is That's How - Chuck Love Network Rework in?
That's How - Chuck Love Network Rework by Mark Farina is in D♭ minor, or 12A on the Camelot wheel.
What BPM is That's How - Chuck Love Network Rework?
That's How - Chuck Love Network Rework runs at 126 BPM, a club-tempo track.
What mixes well with That's How - Chuck Love Network Rework?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is That's How - Chuck Love Network Rework good for peak time?
With energy 39 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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