That's How - Original Mix
- Key
- 1B · B major
- BPM
- 127
- Open Key
- 6d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 5:52
- Released
- 2010
- Album
- Geograffiti EP
- Genre
- House
- Loudness
- -9.2 dB
- ISRC
- US9KZ1001001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- That's How - Chuck Love Network Reworkremix12A · 126
- That's How - JT Donaldson Remixremix4B · 130
- That's How - Ken ECB's Fun With A Moog Mixoriginal9B · 126
- That's How - Sonny Fodera's Beatdown Mixoriginal9B · 128
A peak-time tempo house cut, That's How - Original Mix sits in B major (1B) at 127 BPM. It reads as bright and easy. The groove is strong and floor-ready. A 2010 production that still circulates in sets. More underground than 99% of Mark Farina's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 90% of Mark Farina's catalogue
- Brightness:
- brighter than 83% of Mark Farina's catalogue
- Tempo:
- faster than 82% of Mark Farina's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is That's How - Original Mix in?
That's How - Original Mix by Mark Farina is in B major, or 1B on the Camelot wheel.
What BPM is That's How - Original Mix?
That's How - Original Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with That's How - Original Mix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is That's How - Original Mix good for peak time?
With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Mark Farina
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.