Hope
30s preview
- BPM
- 127
- Open Key
- 4m
- Energy
- 50/100
- Pop
- 3/100
- Length
- 9:06
- Released
- 2018
- Genre
- Minimal
- Loudness
- -15.2 dB
- Dynamics
- 12.8 dB
- ISRC
- GBLV61806899
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Hope: peak-time tempo minimal, F♯ minor (11A), 127 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Calmer than 90% of East End Dubs's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 90% of East End Dubs's catalogue
- Low end:
- more treble-tilted than 76% of East End Dubs's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Hope in?
Hope by East End Dubs is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Hope?
Hope runs at 127 BPM, a peak-time tempo track.
What mixes well with Hope?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Hope good for peak time?
With energy 50 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More minimal
More from East End Dubs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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