Babe I'm Gonna Leave You - Hong Kong Blondes Dub
30s preview
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 49/100
- Pop
- 0/100
- Length
- 7:52
- Released
- 2007
- Album
- Babe I'm Gonna Leave You
- Genre
- House
- Loudness
- -15.6 dB
- Dynamics
- 17.1 dB
- ISRC
- AUVC00706432
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Babe I'm Gonna Leave You - Original Mixoriginal9B · 127
- Babe I'm Gonna Leave You - Rob Pix Remixremix11B · 127
Against the original (9B at 127 BPM), this version holds the same tempo and moves the key from 9B to 8A.
At 127 BPM in A minor (8A), Babe I'm Gonna Leave You - Hong Kong Blondes Dub is a peak-time tempo house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2007 production that still circulates in sets. More underground than 99% of Dirty South's catalogue.
- Brightness:
- brighter than 92% of Dirty South's catalogue
- Energy:
- calmer than 84% of Dirty South's catalogue
- Groove:
- groovier than 81% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Babe I'm Gonna Leave You - Hong Kong Blondes Dub in?
Babe I'm Gonna Leave You - Hong Kong Blondes Dub by Dirty South is in A minor, or 8A on the Camelot wheel.
What BPM is Babe I'm Gonna Leave You - Hong Kong Blondes Dub?
Babe I'm Gonna Leave You - Hong Kong Blondes Dub runs at 127 BPM, a peak-time tempo track.
What mixes well with Babe I'm Gonna Leave You - Hong Kong Blondes Dub?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Babe I'm Gonna Leave You - Hong Kong Blondes Dub good for peak time?
With energy 49 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.