We Are feat. Rudy - Instrumental Mix
30s preview
- Key
- 7B · F major
- BPM
- 127
- Open Key
- 12d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 8:30
- Released
- 2009
- Album
- We Are
- Genre
- House
- Loudness
- -11.3 dB
- Dynamics
- 18.8 dB
- ISRC
- AUVC00900712
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are feat. Rudy - Avicii Remixremix7A · 127
- We Are feat. Rudy - Original Mixoriginal8A · 127
- We Are feat. Rudy - Alex Gaudino & Jason Rooney Remixremix8A · 127
- We Are feat. Rudy - Denzal Park Remixremix6A · 127
- We Are feat. Rudy - Jean Elan Remixremix10B · 127
Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 7B.
At 127 BPM in F major (7B), We Are feat. Rudy - Instrumental Mix is a peak-time tempo house production. The mix is almost entirely instrumental. Its spectrum is focused in the upper-mids, present and forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2009 production that still circulates in sets. More underground than 99% of Dirty South's catalogue.
- Low end:
- more treble-tilted than 99% of Dirty South's catalogue
- Energy:
- calmer than 86% of Dirty South's catalogue
- Groove:
- groovier than 78% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 9%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 35%
- Upper-mid
- 570 Hz-2.5 kHz
- 30%
- High
- 2.5-11 kHz
FAQ
What key is We Are feat. Rudy - Instrumental Mix in?
We Are feat. Rudy - Instrumental Mix by Dirty South is in F major, or 7B on the Camelot wheel.
What BPM is We Are feat. Rudy - Instrumental Mix?
We Are feat. Rudy - Instrumental Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with We Are feat. Rudy - Instrumental Mix?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is We Are feat. Rudy - Instrumental Mix good for peak time?
With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 127 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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