We Are feat. Rudy - Avicii Remix
30s preview
- Key
- 7A · D minor
- BPM
- 127
- Open Key
- 12m
- Energy
- 78/100
- Pop
- 6/100
- Length
- 6:51
- Released
- 2009
- Album
- We Are
- Genre
- House
- Loudness
- -5.7 dB
- Dynamics
- 10.3 dB
- ISRC
- AUVC00900721
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are feat. Rudy - Original Mixoriginal8A · 127
- We Are feat. Rudy - Alex Gaudino & Jason Rooney Remixremix8A · 127
- We Are feat. Rudy - Denzal Park Remixremix6A · 127
- We Are feat. Rudy - Instrumental Mixoriginal7B · 127
- We Are feat. Rudy - Jean Elan Remixremix10B · 127
Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 7A.
We Are feat. Rudy - Avicii Remix: peak-time tempo house, D minor (7A), 127 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Groovier than 88% of Dirty South's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 88% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is We Are feat. Rudy - Avicii Remix in?
We Are feat. Rudy - Avicii Remix by Dirty South is in D minor, or 7A on the Camelot wheel.
What BPM is We Are feat. Rudy - Avicii Remix?
We Are feat. Rudy - Avicii Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with We Are feat. Rudy - Avicii Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is We Are feat. Rudy - Avicii Remix good for peak time?
With energy 78 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 127 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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