We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix
30s preview
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2009
- Album
- We Are
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 16.6 dB
- ISRC
- AUVC00900731
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are feat. Rudy - Avicii Remixremix7A · 127
- We Are feat. Rudy - Original Mixoriginal8A · 127
- We Are feat. Rudy - Denzal Park Remixremix6A · 127
- We Are feat. Rudy - Instrumental Mixoriginal7B · 127
- We Are feat. Rudy - Jean Elan Remixremix10B · 127
Against the original (8A at 127 BPM), this version holds the same tempo in the same key.
We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix runs 127 BPM in A minor (8A), a peak-time tempo house record. It is vocal-led. The master keeps unusual dynamic range for club music (crest 17 dB). A 2009 production that still circulates in sets. More underground than 99% of Dirty South's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 92% of Dirty South's catalogue
- Energy:
- hotter than 89% of Dirty South's catalogue
- Groove:
- groovier than 83% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix in?
We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix by Dirty South is in A minor, or 8A on the Camelot wheel.
What BPM is We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix?
We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is We Are feat. Rudy - Alex Gaudino & Jason Rooney Remix good for peak time?
With energy 91 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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