We Are feat. Rudy - Denzal Park Remix
30s preview
- Key
- 6A · G minor
- BPM
- 127
- Open Key
- 11m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:52
- Released
- 2009
- Album
- We Are
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 12.4 dB
- ISRC
- AUVC00900741
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are feat. Rudy - Avicii Remixremix7A · 127
- We Are feat. Rudy - Original Mixoriginal8A · 127
- We Are feat. Rudy - Alex Gaudino & Jason Rooney Remixremix8A · 127
- We Are feat. Rudy - Instrumental Mixoriginal7B · 127
- We Are feat. Rudy - Jean Elan Remixremix10B · 127
Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 6A.
At 127 BPM in G minor (6A), We Are feat. Rudy - Denzal Park Remix is a peak-time tempo house production. Tonally it lands dark and driving. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Dirty South's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 82% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is We Are feat. Rudy - Denzal Park Remix in?
We Are feat. Rudy - Denzal Park Remix by Dirty South is in G minor, or 6A on the Camelot wheel.
What BPM is We Are feat. Rudy - Denzal Park Remix?
We Are feat. Rudy - Denzal Park Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with We Are feat. Rudy - Denzal Park Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is We Are feat. Rudy - Denzal Park Remix good for peak time?
With energy 64 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 127 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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