I Was the Wolf
- BPM
- 127
- Open Key
- 8d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2025
- Genre
- Tech House
- Loudness
- -8.7 dB
- ISRC
- GXBNP2502333
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Was the Wolf is a peak-time tempo tech house track in D♭ major (3B) at 127 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. More underground than 99% of Claude VonStroke's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 92% of Claude VonStroke's catalogue
- Tempo:
- faster than 75% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I Was the Wolf in?
I Was the Wolf by Claude VonStroke is in D♭ major, or 3B on the Camelot wheel.
What BPM is I Was the Wolf?
I Was the Wolf runs at 127 BPM, a peak-time tempo track.
What mixes well with I Was the Wolf?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I Was the Wolf good for peak time?
With energy 64 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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