Cry for the Last Dance
30s preview
- BPM
- 127
- Open Key
- 10d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:37
- Released
- 2009
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 12.9 dB
- ISRC
- DEBW20900057
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Cry for the Last Dance sits in E♭ major (5B) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2009 production that still circulates in sets. More underground than 99% of Mihalis Safras's catalogue.
- Brightness:
- darker than 88% of Mihalis Safras's catalogue
- Energy:
- calmer than 84% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Cry for the Last Dance in?
Cry for the Last Dance by Mihalis Safras is in E♭ major, or 5B on the Camelot wheel.
What BPM is Cry for the Last Dance?
Cry for the Last Dance runs at 127 BPM, a peak-time tempo track.
What mixes well with Cry for the Last Dance?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Cry for the Last Dance good for peak time?
With energy 64 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 127 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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