She Don't Like the Collar
30s preview
- BPM
- 127
- Open Key
- 9d
- Energy
- 62/100
- Pop
- 1/100
- Length
- 6:26
- Released
- 2010
- Album
- Ploy / She Don't Like the Collar
- Genre
- Techno
- Loudness
- -10.3 dB
- Dynamics
- 11.4 dB
- ISRC
- GBQLP1000239
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She Don't Like The Collar - 2020original5A · 127
- She Don't Like the Collar - Markus Suckut Remixremix3B · 128
She Don't Like the Collar: peak-time tempo techno, A♭ major (4B), 127 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2010 production that still circulates in sets. Calmer than 88% of Mark Broom's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 77% of Mark Broom's catalogue
- Low end:
- more bass-heavy than 76% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is She Don't Like the Collar in?
She Don't Like the Collar by Mark Broom is in A♭ major, or 4B on the Camelot wheel.
What BPM is She Don't Like the Collar?
She Don't Like the Collar runs at 127 BPM, a peak-time tempo track.
What mixes well with She Don't Like the Collar?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is She Don't Like the Collar good for peak time?
With energy 62 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.