Was Übrig Bleibt (Ricardo Tobar Rmx)
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 6:20
- Released
- 2009
- Album
- Deine Beine Rmxs
- Genre
- Techno
- Loudness
- -10.9 dB
- Dynamics
- 11.7 dB
- ISRC
- DEBW20900167
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Was übrig bleibtoriginal3A · 127
- Was Ubrig Bleibtoriginal6A · 130
- Was Übrig Bleibt (Dominik Eulberg „Das Es“ Rmx)remix4B · 130
Against the original (3A at 127 BPM), this version holds the same tempo in the same key.
Was Übrig Bleibt (Ricardo Tobar Rmx): peak-time tempo techno, B♭ minor (3A), 127 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Extrawelt's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 92% of Extrawelt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Was Übrig Bleibt (Ricardo Tobar Rmx) in?
Was Übrig Bleibt (Ricardo Tobar Rmx) by Extrawelt is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Was Übrig Bleibt (Ricardo Tobar Rmx)?
Was Übrig Bleibt (Ricardo Tobar Rmx) runs at 127 BPM, a peak-time tempo track.
What mixes well with Was Übrig Bleibt (Ricardo Tobar Rmx)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Was Übrig Bleibt (Ricardo Tobar Rmx) good for peak time?
With energy 61 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Extrawelt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
