Come - Matthew Gold Remix
- BPM
- 127
- Open Key
- 7d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:48
- Released
- 2012
- Album
- Come
- Genre
- Techno
- Loudness
- -11.5 dB
- ISRC
- QMSNZ1254494
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come - Florian Tyack & Funkbrainer Silence Remixremix3B · 126
- Come - Jarold Palacio Remixremix2B · 126
- Come - Leo R Remixremix9B · 128
- Come - Lezcano Remixremix3A · 125
- Come - Marck D Nohavas Remixremix11A · 124
- Come - Original Mixoriginal2B · 124
Against the original (2B at 124 BPM), this version runs 3 BPM faster in the same key.
At 127 BPM in F♯ major (2B), Come - Matthew Gold Remix is a peak-time tempo techno production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Balthazar & JackRock's catalogue.
- Energy:
- calmer than 93% of Balthazar & JackRock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come - Matthew Gold Remix in?
Come - Matthew Gold Remix by Balthazar & JackRock is in F♯ major, or 2B on the Camelot wheel.
What BPM is Come - Matthew Gold Remix?
Come - Matthew Gold Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Come - Matthew Gold Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Come - Matthew Gold Remix good for peak time?
With energy 62 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Balthazar & JackRock
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
