
Come - Jarold Palacio Remix
- BPM
- 126
- Open Key
- 7d
- Energy
- 73/100
- Pop
- 0/100
- Length
- 8:42
- Released
- 2012
- Album
- Come
- Genre
- Techno
- Loudness
- -8.9 dB
- ISRC
- QMSNZ1254491
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come - Florian Tyack & Funkbrainer Silence Remixremix3B · 126
- Come - Leo R Remixremix9B · 128
- Come - Lezcano Remixremix3A · 125
- Come - Marck D Nohavas Remixremix11A · 124
- Come - Matthew Gold Remixremix2B · 127
- Come - Original Mixoriginal2B · 124
Against the original (2B at 124 BPM), this version runs 2 BPM faster in the same key.
Come - Jarold Palacio Remix is a club-tempo techno track in F♯ major (2B) at 126 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. A 2012 production that still circulates in sets. More underground than 99% of Balthazar & JackRock's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 87% of Balthazar & JackRock's catalogue
- Energy:
- calmer than 80% of Balthazar & JackRock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come - Jarold Palacio Remix in?
Come - Jarold Palacio Remix by Balthazar & JackRock is in F♯ major, or 2B on the Camelot wheel.
What BPM is Come - Jarold Palacio Remix?
Come - Jarold Palacio Remix runs at 126 BPM, a club-tempo track.
What mixes well with Come - Jarold Palacio Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Come - Jarold Palacio Remix good for peak time?
With energy 73 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Balthazar & JackRock
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.