Come - Lezcano Remix
- BPM
- 125
- Open Key
- 8m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:14
- Released
- 2012
- Album
- Come
- Genre
- Techno
- Loudness
- -7.6 dB
- ISRC
- QMSNZ1254490
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come - Florian Tyack & Funkbrainer Silence Remixremix3B · 126
- Come - Jarold Palacio Remixremix2B · 126
- Come - Leo R Remixremix9B · 128
- Come - Marck D Nohavas Remixremix11A · 124
- Come - Matthew Gold Remixremix2B · 127
- Come - Original Mixoriginal2B · 124
Against the original (2B at 124 BPM), this version runs 1 BPM faster and moves the key from 2B to 3A.
A club-tempo techno cut, Come - Lezcano Remix sits in B♭ minor (3A) at 125 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. A 2012 production that still circulates in sets. More underground than 99% of Balthazar & JackRock's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 97% of Balthazar & JackRock's catalogue
- Energy:
- calmer than 93% of Balthazar & JackRock's catalogue
- Brightness:
- brighter than 87% of Balthazar & JackRock's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Come - Lezcano Remix in?
Come - Lezcano Remix by Balthazar & JackRock is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Come - Lezcano Remix?
Come - Lezcano Remix runs at 125 BPM, a club-tempo track.
What mixes well with Come - Lezcano Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Come - Lezcano Remix good for peak time?
With energy 61 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Balthazar & JackRock
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
