Offenbach
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 10:49
- Released
- 2012
- Genre
- Tech House
- Loudness
- -11.0 dB
- Dynamics
- 11.4 dB
- ISRC
- DEBW21200252
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in A minor (8A), Offenbach is a club-tempo tech house production. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 80% of Dominik Eulberg's catalogue
- Brightness:
- brighter than 75% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Offenbach in?
Offenbach by Dominik Eulberg is in A minor, or 8A on the Camelot wheel.
What BPM is Offenbach?
Offenbach runs at 125 BPM, a club-tempo track.
What mixes well with Offenbach?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Offenbach good for peak time?
With energy 60 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
