Picnic Electronique - Deetron Remix
30s preview
- BPM
- 126
- Open Key
- 7m
- Energy
- 72/100
- Pop
- 1/100
- Length
- 8:15
- Released
- 2012
- Album
- Picnic Electronique
- Genre
- Tech House
- Label
- Systematic
- Loudness
- -11.2 dB
- Dynamics
- 14.1 dB
- ISRC
- DEDL81101968
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Picnic Electronique - Original Mixoriginal11A · 123
Against the original (11A at 123 BPM), this version runs 3 BPM faster and moves the key from 11A to 2A.
A club-tempo tech house cut, Picnic Electronique - Deetron Remix sits in E♭ minor (2A) at 126 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2012 production that still circulates in sets. Less groove-driven than 87% of Rodriguez Jr.'s catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 83% of Rodriguez Jr.'s catalogue
- Brightness:
- brighter than 83% of Rodriguez Jr.'s catalogue
- Low end:
- more treble-tilted than 79% of Rodriguez Jr.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Picnic Electronique - Deetron Remix in?
Picnic Electronique - Deetron Remix by Rodriguez Jr. is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Picnic Electronique - Deetron Remix?
Picnic Electronique - Deetron Remix runs at 126 BPM, a club-tempo track.
What mixes well with Picnic Electronique - Deetron Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Picnic Electronique - Deetron Remix good for peak time?
With energy 72 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 126 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Rodriguez Jr.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
