Adler (Manuel Rodriguez Remix)
30s preview
- BPM
- 127
- Open Key
- 3d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 8:04
- Released
- 2012
- Album
- Adler Remixes
- Genre
- Tech House
- Loudness
- -13.1 dB
- Dynamics
- 11.0 dB
- ISRC
- DEBW21200196
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Adler - Heimische Gefilde Remixremix10B · 130
- Adleroriginal10B · 130
- Adler (John Ov3rblast Remix)remix10B · 173
- Adler (Karl M „Extended Liebe“ Remix)remix8A · 125
- Adler (Masterton’s „Haastadler“ Remix)remix10B · 120
Against the original (10B at 130 BPM), this version runs 3 BPM slower in the same key.
A peak-time tempo tech house cut, Adler (Manuel Rodriguez Remix) sits in D major (10B) at 127 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 89% of Dominik Eulberg's catalogue
- Low end:
- more bass-heavy than 79% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Adler (Manuel Rodriguez Remix) in?
Adler (Manuel Rodriguez Remix) by Dominik Eulberg is in D major, or 10B on the Camelot wheel.
What BPM is Adler (Manuel Rodriguez Remix)?
Adler (Manuel Rodriguez Remix) runs at 127 BPM, a peak-time tempo track.
What mixes well with Adler (Manuel Rodriguez Remix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Adler (Manuel Rodriguez Remix) good for peak time?
With energy 63 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
