Extase - Chris Liebing Remix
30s preview
- Key
- 1B · B major
- BPM
- 127
- Open Key
- 6d
- Energy
- 62/100
- Pop
- 11/100
- Length
- 7:53
- Released
- 2018
- Album
- Extase (incl. Chris Liebing RMX)
- Genre
- Techno
- Loudness
- -8.2 dB
- Dynamics
- 9.9 dB
- ISRC
- DEKB71628643
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Extase - Chris Liebing Remix runs 127 BPM in B major (1B), a peak-time tempo techno record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 98% of Chris Liebing's catalogue.
- Reach:
- better known than 85% of Chris Liebing's catalogue
- Energy:
- calmer than 83% of Chris Liebing's catalogue
- Low end:
- more bass-heavy than 79% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Extase - Chris Liebing Remix in?
Extase - Chris Liebing Remix by Chris Liebing is in B major, or 1B on the Camelot wheel.
What BPM is Extase - Chris Liebing Remix?
Extase - Chris Liebing Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Extase - Chris Liebing Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Extase - Chris Liebing Remix good for peak time?
With energy 62 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 127 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
