She Don't Like the Collar - Markus Suckut Remix
- BPM
- 128
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 0/100
- Length
- 6:32
- Released
- 2012
- Album
- She Don't Like the Collar Remix / False
- Genre
- Techno
- Loudness
- -10.6 dB
- ISRC
- GBQLP1200266
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- She Don't Like the Collaroriginal4B · 127
- She Don't Like The Collar - 2020original5A · 127
Against the original (4B at 127 BPM), this version runs 1 BPM faster and moves the key from 4B to 3B.
She Don't Like the Collar - Markus Suckut Remix: peak-time tempo techno, D♭ major (3B), 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. Groovier than 99% of Mark Broom's catalogue.
- Reach:
- more underground than 99% of Mark Broom's catalogue
- Brightness:
- darker than 88% of Mark Broom's catalogue
- Energy:
- calmer than 84% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is She Don't Like the Collar - Markus Suckut Remix in?
She Don't Like the Collar - Markus Suckut Remix by Mark Broom is in D♭ major, or 3B on the Camelot wheel.
What BPM is She Don't Like the Collar - Markus Suckut Remix?
She Don't Like the Collar - Markus Suckut Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with She Don't Like the Collar - Markus Suckut Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is She Don't Like the Collar - Markus Suckut Remix good for peak time?
With energy 65 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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