The Rising Evil
- BPM
- 128
- Open Key
- 8d
- Energy
- 65/100
- Pop
- 4/100
- Length
- 7:01
- Released
- 2006
- Genre
- Tech House
- Loudness
- -7.7 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Rising Evil: peak-time tempo tech house, D♭ major (3B), 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. Groovier than 98% of Gui Boratto's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- faster than 84% of Gui Boratto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Rising Evil in?
The Rising Evil by Gui Boratto is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Rising Evil?
The Rising Evil runs at 128 BPM, a peak-time tempo track.
What mixes well with The Rising Evil?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Rising Evil good for peak time?
With energy 65 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Gui Boratto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.