Ready to Go - Leventina Remix
- BPM
- 128
- Open Key
- 7m
- Energy
- 65/100
- Pop
- 0/100
- Length
- 7:04
- Released
- 2010
- Album
- Ready to Go
- Genre
- Progressive House
- Loudness
- -7.2 dB
- ISRC
- CH3130900151
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready to Go - Helvetic Nerds Remixremix3B · 128
- Ready to Go - Original Mixoriginal3A · 128
Against the original (3A at 128 BPM), this version holds the same tempo and moves the key from 3A to 2A.
At 128 BPM in E♭ minor (2A), Ready to Go - Leventina Remix is a peak-time tempo progressive house production. The groove is strong and floor-ready. A 2010 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 92% of Jerome Isma-Ae's catalogue
- Brightness:
- brighter than 91% of Jerome Isma-Ae's catalogue
- Energy:
- calmer than 89% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ready to Go - Leventina Remix in?
Ready to Go - Leventina Remix by Jerome Isma-Ae is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Ready to Go - Leventina Remix?
Ready to Go - Leventina Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Ready to Go - Leventina Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Ready to Go - Leventina Remix good for peak time?
With energy 65 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.