Ready to Go - Helvetic Nerds Remix
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:00
- Released
- 2010
- Album
- Ready to Go
- Genre
- Progressive House
- Loudness
- -7.6 dB
- Dynamics
- 8.8 dB
- ISRC
- CH3130900152
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ready to Go - Leventina Remixremix2A · 128
- Ready to Go - Original Mixoriginal3A · 128
Against the original (3A at 128 BPM), this version holds the same tempo and moves the key from 3A to 3B.
A peak-time tempo progressive house cut, Ready to Go - Helvetic Nerds Remix sits in D♭ major (3B) at 128 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 99% of Jerome Isma-Ae's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 92% of Jerome Isma-Ae's catalogue
- Brightness:
- brighter than 86% of Jerome Isma-Ae's catalogue
- Energy:
- calmer than 78% of Jerome Isma-Ae's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Ready to Go - Helvetic Nerds Remix in?
Ready to Go - Helvetic Nerds Remix by Jerome Isma-Ae is in D♭ major, or 3B on the Camelot wheel.
What BPM is Ready to Go - Helvetic Nerds Remix?
Ready to Go - Helvetic Nerds Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Ready to Go - Helvetic Nerds Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Ready to Go - Helvetic Nerds Remix good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Jerome Isma-Ae
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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