Call Me (K-HAND Remix)
- BPM
- 128
- Open Key
- 7d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2017
- Album
- Nost Rmxs 1
- Genre
- Techno
- Loudness
- -12.9 dB
- ISRC
- DEAE61700030
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call Me - Gerd Janson Remixremix2B · 130
- Call Me - Kyoka Remixremix3B · 128
- Call Me (XDB Remix)remix3B · 123
- Call Meoriginal3B · 128
- Call Me (Emmanuel Top Remix)remix12A · 128
Against the original (3B at 128 BPM), this version holds the same tempo and moves the key from 3B to 2B.
Call Me (K-HAND Remix) runs 128 BPM in F♯ major (2B), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Ellen Allien's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Call Me (K-HAND Remix) in?
Call Me (K-HAND Remix) by Ellen Allien is in F♯ major, or 2B on the Camelot wheel.
What BPM is Call Me (K-HAND Remix)?
Call Me (K-HAND Remix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Call Me (K-HAND Remix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Call Me (K-HAND Remix) good for peak time?
With energy 72 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Ellen Allien
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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