Wu-Tang (Battery PT.2)
30s preview
- BPM
- 128
- Open Key
- 10d
- Energy
- 64/100
- Pop
- 0/100
- Length
- 3:22
- Released
- 2007
- Album
- Oi Oi Oi
- Genre
- Techno
- Loudness
- -9.9 dB
- Dynamics
- 14.2 dB
- ISRC
- DEDU20700062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Wu-Tang (Battery PT.2) is a peak-time tempo techno track in E♭ major (5B) at 128 BPM. The feel is dark and driving. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. Groovier than 99% of Boys Noize's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Boys Noize's catalogue
- Energy:
- calmer than 86% of Boys Noize's catalogue
- Brightness:
- darker than 79% of Boys Noize's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Wu-Tang (Battery PT.2) in?
Wu-Tang (Battery PT.2) by Boys Noize is in E♭ major, or 5B on the Camelot wheel.
What BPM is Wu-Tang (Battery PT.2)?
Wu-Tang (Battery PT.2) runs at 128 BPM, a peak-time tempo track.
What mixes well with Wu-Tang (Battery PT.2)?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Wu-Tang (Battery PT.2) good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 128 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Boys Noize
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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