Repeat Myself - Live Edit
- BPM
- 128
- Open Key
- 3m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 5:00
- Released
- 2014
- Album
- Repeat Myself
- Genre
- Techno
- Loudness
- -11.0 dB
- ISRC
- GB7EJ1400297
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Repeat Myself - Rodhad Remixremix4B · 126
- Repeat Myself - Accapellaoriginal9B · 80
- Repeat Myself - SPN--->Rmxremix2A · 128
- Repeat Myself - Bearweasel Remixremix12A · 124
Against the original (9B at 80 BPM), this version runs 48 BPM faster and moves the key from 9B to 10A.
A peak-time tempo techno cut, Repeat Myself - Live Edit sits in B minor (10A) at 128 BPM. The groove is strong and floor-ready. It is vocal-led. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue.
- Groove:
- groovier than 96% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Repeat Myself - Live Edit in?
Repeat Myself - Live Edit by Radio Slave is in B minor, or 10A on the Camelot wheel.
What BPM is Repeat Myself - Live Edit?
Repeat Myself - Live Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Repeat Myself - Live Edit?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Repeat Myself - Live Edit good for peak time?
With energy 64 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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