Rabana - Mark Broom Remix
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 7:31
- Released
- 2010
- Album
- Rabana EP
- Genre
- Techno
- Loudness
- -3.8 dB
- Dynamics
- 10.0 dB
- ISRC
- GBQLP1000404
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in D♭ major (3B), Rabana - Mark Broom Remix is a peak-time tempo techno production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 91% of Mark Broom's catalogue
- Tempo:
- slower than 77% of Mark Broom's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Rabana - Mark Broom Remix in?
Rabana - Mark Broom Remix by Mark Broom is in D♭ major, or 3B on the Camelot wheel.
What BPM is Rabana - Mark Broom Remix?
Rabana - Mark Broom Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Rabana - Mark Broom Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Rabana - Mark Broom Remix good for peak time?
With energy 60 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Mark Broom
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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