Addicted (feat. Charlie Sanderson)
30s preview
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 65/100
- Pop
- 17/100
- Length
- 3:22
- Released
- 2018
- Genre
- Tech House
- Loudness
- -9.0 dB
- Dynamics
- 13.1 dB
- ISRC
- GBAYE1800140
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Addicted (feat. Charlie Sanderson) sits in A minor (8A) at 127 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Less groove-driven than 96% of Max Chapman's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 91% of Max Chapman's catalogue
- Energy:
- calmer than 84% of Max Chapman's catalogue
- Brightness:
- darker than 79% of Max Chapman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Addicted (feat. Charlie Sanderson) in?
Addicted (feat. Charlie Sanderson) by Max Chapman is in A minor, or 8A on the Camelot wheel.
What BPM is Addicted (feat. Charlie Sanderson)?
Addicted (feat. Charlie Sanderson) runs at 127 BPM, a peak-time tempo track.
What mixes well with Addicted (feat. Charlie Sanderson)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Addicted (feat. Charlie Sanderson) good for peak time?
With energy 65 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Max Chapman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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