We Are feat. Rudy - Jean Elan Remix
30s preview
- BPM
- 127
- Open Key
- 3d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 7:04
- Released
- 2009
- Album
- We Are
- Genre
- House
- Loudness
- -7.8 dB
- Dynamics
- 12.4 dB
- ISRC
- AUVC00900751
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Are feat. Rudy - Avicii Remixremix7A · 127
- We Are feat. Rudy - Original Mixoriginal8A · 127
- We Are feat. Rudy - Alex Gaudino & Jason Rooney Remixremix8A · 127
- We Are feat. Rudy - Denzal Park Remixremix6A · 127
- We Are feat. Rudy - Instrumental Mixoriginal7B · 127
Against the original (8A at 127 BPM), this version holds the same tempo and moves the key from 8A to 10B.
We Are feat. Rudy - Jean Elan Remix: peak-time tempo house, D major (10B), 127 BPM. The feel is bright and easy. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2009 production that still circulates in sets. More underground than 99% of Dirty South's catalogue.
- Brightness:
- brighter than 94% of Dirty South's catalogue
- Groove:
- groovier than 87% of Dirty South's catalogue
- Energy:
- calmer than 79% of Dirty South's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is We Are feat. Rudy - Jean Elan Remix in?
We Are feat. Rudy - Jean Elan Remix by Dirty South is in D major, or 10B on the Camelot wheel.
What BPM is We Are feat. Rudy - Jean Elan Remix?
We Are feat. Rudy - Jean Elan Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with We Are feat. Rudy - Jean Elan Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is We Are feat. Rudy - Jean Elan Remix good for peak time?
With energy 60 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Dirty South
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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