Sweet Chariot by Club Artists United - Kerri's Big Dark Mix
- BPM
- 127
- Open Key
- 3m
- Energy
- 58/100
- Pop
- 4/100
- Length
- 6:46
- Released
- 2007
- Album
- Kerri Chandler's Nervous Tracks
- Genre
- Deep House
- Loudness
- -9.0 dB
- ISRC
- USNRS0621121
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sweet Chariot by Club Artists United - Kerri's Dramatic Dubversion10B · 127
Sweet Chariot by Club Artists United - Kerri's Big Dark Mix: peak-time tempo deep house, B minor (10A), 127 BPM. The mix is almost entirely instrumental. A 2007 production that still circulates in sets. Faster than 90% of Kerri Chandler's catalogue.
- Energy:
- calmer than 88% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sweet Chariot by Club Artists United - Kerri's Big Dark Mix in?
Sweet Chariot by Club Artists United - Kerri's Big Dark Mix by Kerri Chandler is in B minor, or 10A on the Camelot wheel.
What BPM is Sweet Chariot by Club Artists United - Kerri's Big Dark Mix?
Sweet Chariot by Club Artists United - Kerri's Big Dark Mix runs at 127 BPM, a peak-time tempo track.
What mixes well with Sweet Chariot by Club Artists United - Kerri's Big Dark Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Sweet Chariot by Club Artists United - Kerri's Big Dark Mix good for peak time?
With energy 58 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
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Every insight on this page, for your own library.
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