Missing You Edit
- BPM
- 127
- Open Key
- 5m
- Energy
- 48/100
- Pop
- 7/100
- Length
- 6:35
- Released
- 2008
- Genre
- Tech House
- Loudness
- -14.8 dB
- ISRC
- NLCK40900765
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Missing You Edit is a peak-time tempo tech house track in D♭ minor (12A) at 127 BPM. It reads as dark and steady. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Less groove-driven than 99% of Mihalis Safras's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 97% of Mihalis Safras's catalogue
- Brightness:
- darker than 96% of Mihalis Safras's catalogue
- Reach:
- better known than 91% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Missing You Edit in?
Missing You Edit by Mihalis Safras is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Missing You Edit?
Missing You Edit runs at 127 BPM, a peak-time tempo track.
What mixes well with Missing You Edit?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Missing You Edit good for peak time?
With energy 48 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 127 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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