Babe I'm Gonna Leave You - Rob Pix Remix by Dirty South cover art

Babe I'm Gonna Leave You - Rob Pix Remix

Dirty South

30s preview

Key
11B · A major
BPM
127
Open Key
4d
Energy
67/100
Pop
0/100
Length
6:21
Released
2007
Album
Babe I'm Gonna Leave You
Genre
House
Loudness
-7.9 dB
Dynamics
11.5 dB
ISRC
AUVC00706421

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 127 BPM), this version holds the same tempo and moves the key from 9B to 11B.

Babe I'm Gonna Leave You - Rob Pix Remix runs 127 BPM in A major (11B), a peak-time tempo house record. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. More underground than 99% of Dirty South's catalogue. In a set it works best as a mid-set roller.

Groove:
groovier than 97% of Dirty South's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy67
Mood32Dark
Groove85
Acoustic6
Instrumental45
Live9
Speech13

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Babe I'm Gonna Leave You - Rob Pix Remix in?

Babe I'm Gonna Leave You - Rob Pix Remix by Dirty South is in A major, or 11B on the Camelot wheel.

What BPM is Babe I'm Gonna Leave You - Rob Pix Remix?

Babe I'm Gonna Leave You - Rob Pix Remix runs at 127 BPM, a peak-time tempo track.

What mixes well with Babe I'm Gonna Leave You - Rob Pix Remix?

From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.

Is Babe I'm Gonna Leave You - Rob Pix Remix good for peak time?

With energy 67 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

11B10B · 12B · 11A

From 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.

#TrackKey·BPM

Every move from 11B

12BSimple Mix Upper
10BSimple Mix Downer
11ATonal Shift·
12ADiagonal Mix Upper
10ADiagonal Mix Downer
2ACompatible Tone·
1BHigh Energy Boost▲▲▲
9BHigh Energy Drain▼▼▼
2BParallel Key Upper▲▲
8BParallel Key Downer▼▼
6BTritone Jump▲▲
3BRelated Keyrisky

How to mix it

In 11B at 127 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Dirty South

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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