
Hildegard
- Key
- 9B · G major
- BPM
- 127
- Open Key
- 2d
- Energy
- 67/100
- Pop
- 6/100
- Length
- 6:09
- Released
- 2021
- Genre
- Deep House
- Loudness
- -11.0 dB
- ISRC
- GBEWA2203551
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo deep house cut, Hildegard sits in G major (9B) at 127 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Groovier than 99% of Dusky's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 84% of Dusky's catalogue
- Brightness:
- darker than 77% of Dusky's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hildegard in?
Hildegard by Dusky is in G major, or 9B on the Camelot wheel.
What BPM is Hildegard?
Hildegard runs at 127 BPM, a peak-time tempo track.
What mixes well with Hildegard?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Hildegard good for peak time?
With energy 67 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 127 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More deep house
More from Dusky
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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