Mutin' Hook
30s preview
- BPM
- 127
- Open Key
- 7m
- Energy
- 66/100
- Pop
- 0/100
- Length
- 6:15
- Released
- 2025
- Album
- MAW Lost Tapes 23
- Genre
- House
- Loudness
- -10.8 dB
- Dynamics
- 10.5 dB
- ISRC
- GBKQU2529681
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mutin' Hook: peak-time tempo house, E♭ minor (2A), 127 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Masters At Work's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 95% of Masters At Work's catalogue
- Brightness:
- brighter than 95% of Masters At Work's catalogue
- Low end:
- more bass-heavy than 89% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Mutin' Hook in?
Mutin' Hook by Masters At Work is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Mutin' Hook?
Mutin' Hook runs at 127 BPM, a peak-time tempo track.
What mixes well with Mutin' Hook?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Mutin' Hook good for peak time?
With energy 66 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 127 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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